{"id":15964,"date":"2025-08-04T15:58:29","date_gmt":"2025-08-04T18:58:29","guid":{"rendered":"https:\/\/kinobeat.com\/10edicao\/?p=15964"},"modified":"2025-09-14T15:59:31","modified_gmt":"2025-09-14T18:59:31","slug":"porto-alegre-e-liverpool-se-encontram-na-10a-edicao-do-festival-kino-beat","status":"publish","type":"post","link":"https:\/\/kinobeat.com\/10edicao\/porto-alegre-e-liverpool-se-encontram-na-10a-edicao-do-festival-kino-beat\/","title":{"rendered":"Porto Alegre e Liverpool se encontram na 10\u00aa edi\u00e7\u00e3o do Festival Kino Beat"},"content":{"rendered":"<p><i><span style=\"font-weight: 400;\">Principal destaque deste ano \u00e9 a Resid\u00eancia Art\u00edstica Portos Conectados, que promove interc\u00e2mbio de artistas de POA e Liverpool, por meio de parceria com a FACT (Foundation for Art and Creative Technology), institui\u00e7\u00e3o de arte e tecnologia consagrada do Reino Unido<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><b>O Festival Kino Beat est\u00e1 de volta<\/b><span style=\"font-weight: 400;\">. A d\u00e9cima edi\u00e7\u00e3o do evento\u00a0 <\/span><b>se<\/b> <b>estende at\u00e9 dezembro, com instala\u00e7\u00f5es, performances, m\u00fasica e mostra de cinema. <\/b><span style=\"font-weight: 400;\">\u00a0Em setembro ainda ser\u00e3o anunciadas as demais atividades e artistas que integram a programa\u00e7\u00e3o.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A principal novidade deste ano \u00e9 a realiza\u00e7\u00e3o de uma <\/span><b>resid\u00eancia art\u00edstica internacional, <\/b><span style=\"font-weight: 400;\">conectando <\/span><b>Porto Alegre a Liverpool,<\/b><span style=\"font-weight: 400;\"> no Reino Unido, em uma colabora\u00e7\u00e3o in\u00e9dita com a <\/span><b>FACT <\/b><span style=\"font-weight: 400;\">(Foundation for Art and Creative Technology), institui\u00e7\u00e3o consagrada no Reino Unido, dedicada \u00e0 arte e \u00e0 tecnologia.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Intitulada <\/span><b>Portos Conectados,<\/b><span style=\"font-weight: 400;\"> a iniciativa re\u00fane <\/span><b>quatro artistas<\/b><span style=\"font-weight: 400;\"> \u2014 dois brasileiros: Henrique Fagundes e Trojany, e dois do Reino Unido: Sophie Rogers e Dongni Lang \u2014 em um processo de cria\u00e7\u00e3o h\u00edbrido, com etapas presenciais nos dois pa\u00edses e atividades virtuais ao longo do segundo semestre. O projeto integra a programa\u00e7\u00e3o oficial do <\/span><b>Ano da Cultura Brasil\/Reino Unido 2025-26, <\/b><span style=\"font-weight: 400;\">promovido pelo <\/span><b>British Council em parceria com o Instituto Guimar\u00e3es Rosa,<\/b><span style=\"font-weight: 400;\"> e marca a primeira atua\u00e7\u00e3o internacional estruturada do Festival Kino Beat.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201c\u00c9 uma edi\u00e7\u00e3o que se fragmenta ao longo de cinco meses, entre Porto Alegre e Liverpool. No dia seguinte ao show, os artistas brasileiros e brit\u00e2nicos j\u00e1 iniciam suas atividades na FACT, e em outubro o processo ser\u00e1 conclu\u00eddo aqui em Porto Alegre, com uma exposi\u00e7\u00e3o. \u00c9 uma amplia\u00e7\u00e3o importante para o festival, que passa a circular tamb\u00e9m em redes e institui\u00e7\u00f5es fora do pa\u00eds\u201d,<\/span><b> explica o curador Gabriel Cevallos. <a href=\"https:\/\/kinobeat.com\/10edicao\/10a-edicao\/\">Conhe\u00e7a o projeto curatorial.<\/a><\/b><\/p>\n<p><b>Com trajet\u00f3ria iniciada em 2009, o Kino Beat<\/b><span style=\"font-weight: 400;\"> chega \u00e0 sua d\u00e9cima edi\u00e7\u00e3o com quase 16 anos de exist\u00eancia. O festival teve origem em uma mostra de filmes sobre m\u00fasica e, desde 2014, se consolidou como<\/span><b> uma plataforma de arte contempor\u00e2nea que re\u00fane m\u00faltiplas linguagens.<\/b><span style=\"font-weight: 400;\"> \u201cO Kino Beat nunca foi apenas um festival de cinema, nem s\u00f3 de m\u00fasica ou artes visuais. Ele se tornou um espa\u00e7o para experimenta\u00e7\u00e3o art\u00edstica e reflex\u00e3o cr\u00edtica, sempre atento \u00e0s transforma\u00e7\u00f5es est\u00e9ticas, tecnol\u00f3gicas e sociais do presente\u201d, afirma Cevallos.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A programa\u00e7\u00e3o 2025 aproxima arte contempor\u00e2nea e m\u00fasica, em entrela\u00e7amentos de paisagens digitais e sonoras, cidades, desejos de humanos, m\u00e1quinas e outras presen\u00e7as. A curadoria atravessa temas como tecnologias emergentes, sons globais, fic\u00e7\u00f5es especulativas, pensamento ecol\u00f3gico, pr\u00e1ticas colaborativas, cidades imaginadas e outras formas de escuta e conviv\u00eancia.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Em outubro, <\/span><b>Vivian Caccuri e Thiago Lanis conduzem a <\/b><span style=\"font-weight: 400;\">performance sonora e imersiva Fantasma Boca, no Teatro Oficina Olga Reverbel. Utilizando apenas l\u00e1bios, bocas e dentes, a dupla recria a paisagem sonora de uma floresta tropical: ru\u00eddos de aves, mam\u00edferos e insetos, mas tamb\u00e9m do vento, das \u00e1guas e de outros seres s\u00e3o reencenados a partir dos corpos dos performers. As sonoridades s\u00e3o gravadas, editadas e reproduzidas ao vivo, por meio de um sistema de som surround e loops, tecendo diversas camadas de uma cena noturna, que vai se transformando ao longo da performance.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">De outubro a novembro, o <\/span><b>Museu de Arte do Rio Grande do Sul (Margs) <\/b><span style=\"font-weight: 400;\">recebe a Instala\u00e7\u00e3o On\u00edrica, do coletivo italiano <\/span><b>Fuse*, <\/b><span style=\"font-weight: 400;\">grupo multidisciplinar de artistas baseado em Bolonha, na It\u00e1lia. Trata-se de uma obra audiovisual que explora a dimens\u00e3o dos sonhos, interpretando atrav\u00e9s de linguagens sint\u00e9ticas a capacidade criativa da mente humana durante o sono. Atrav\u00e9s do uso de algoritmos capazes de traduzir conte\u00fado textual em imagens, On\u00edrica traz contos de vis\u00f5es noturnas de volta ao dom\u00ednio do vis\u00edvel, propondo novas reflex\u00f5es sobre a rela\u00e7\u00e3o entre humano e m\u00e1quina, entre ferramenta e criador.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tamb\u00e9m entre os meses de outubro e novembro, os artistas belgas\u00a0 <\/span><b>Lena Daems<\/b><span style=\"font-weight: 400;\"> (Berlaar, 1988) e <\/span><b>Frederik van Remoortere <\/b><span style=\"font-weight: 400;\">(Antu\u00e9rpia, 1986) apresentam uma instala\u00e7\u00e3o in\u00e9dita na <\/span><b>Sala Radam\u00e9s Gnattali<\/b><span style=\"font-weight: 400;\">, na Casa de Cultura Mario Quintana. A dupla desenvolve sua obra em duas dire\u00e7\u00f5es: trabalhos visuais aut\u00f4nomos, por um lado, e instala\u00e7\u00f5es multim\u00eddia em espa\u00e7os p\u00fablicos, por outro. As cria\u00e7\u00f5es s\u00e3o multidisciplinares e ultrapassam as fronteiras entre teatro, cinema e artes visuais. O duo incorpora diferentes disciplinas em suas obras, como matem\u00e1tica, astronomia e f\u00edsica. O trabalho aborda temas relacionados ao espa\u00e7o e, mais especificamente, ao campo de tens\u00e3o entre o espa\u00e7o p\u00fablico e o ambiente \u00edntimo de uma pessoa. Observam o comportamento humano em um universo a partir de uma perspectiva voyeur\u00edstica. O p\u00fablico costuma ser envolvido em suas produ\u00e7\u00f5es, tornando-se ator ativo e necess\u00e1rio na obra.<\/span><\/p>\n<p><b>Em novembro, a Mostra de Filmes Brasil-Reino Unido<\/b><span style=\"font-weight: 400;\"> ocupar\u00e1 a Cinemateca Capit\u00f3lio com uma sele\u00e7\u00e3o de obras que dialogam com os eixos curatoriais do festival e com o projeto internacional da FACT. A curadoria ser\u00e1 realizada em parceria com o Cine Esquema Novo, buscando tensionar as no\u00e7\u00f5es de territ\u00f3rio, pertencimento, tecnologia e futuro.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A performance audiovisual <\/span><b>Um Filme de BR \u2013 Remix<\/b><span style=\"font-weight: 400;\"> ser\u00e1 apresentada no Instituto Ling em novembro. A obra nasce a partir do document\u00e1rio <\/span><i><span style=\"font-weight: 400;\">Um Filme de BR<\/span><\/i><span style=\"font-weight: 400;\">, que investiga a rela\u00e7\u00e3o entre cidade e rodovia no trecho da BR-116 em Canoas (RS). No palco, imagens e sons s\u00e3o manipulados ao vivo, desconstruindo o filme original para propor uma leitura perform\u00e1tica e sensorial da estrada como personagem e paisagem viva.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Encerrando a programa\u00e7\u00e3o, o artista <\/span><b>Leandro Lima<\/b><span style=\"font-weight: 400;\"> apresentar\u00e1 uma instala\u00e7\u00e3o de grande escala na fachada do Instituto Ling, dando continuidade ao projeto iniciado na edi\u00e7\u00e3o anterior do FKB. Reconhecido por seu trabalho na intersec\u00e7\u00e3o entre arte e tecnologia, Lima cria obras que exploram a percep\u00e7\u00e3o e o movimento em espa\u00e7os p\u00fablicos, ativando a arquitetura urbana como superf\u00edcie narrativa.<\/span><\/p>\n<p><b>SOBRE O FESTIVAL KINO BEAT<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Ao longo dos \u00faltimos 15 anos, o Kino Beat desenvolveu de forma gradual a sua identidade e os seus espa\u00e7os de atua\u00e7\u00e3o. A marca surgiu em 2009, como Mostra Kino Beat de filmes relacionados \u00e0 m\u00fasica. Em 2014, se consolidou como Festival Kino Beat, uma plataforma para investiga\u00e7\u00e3o e fomento de artistas e a\u00e7\u00f5es ligadas principalmente ao universo da arte digital, m\u00fasica contempor\u00e2nea e audiovisual ao vivo. Com oito edi\u00e7\u00f5es realizadas em formato de festival, o Kino Beat deriva suas atividades de forma livre em rela\u00e7\u00e3o a etimologia do seu pr\u00f3prio nome: KINO (movimento, imagem) BEAT (ritmo, som). E se posiciona como um festival de arte contempor\u00e2nea, articulando a arte do seu tempo, independente da linguagem. Em 2020 foi premiado nas categorias de Inovac\u0327a\u0303o e Difusa\u0303o e Destaque em Curadoria do Pr\u00eamio Ac\u0327orianos de Artes Pla\u0301sticas da Secretaria de Cultura de Porto Alegre, completando em 2024 seus 15 anos de hist\u00f3ria.<\/span><\/p>\n<p><b>O 10 Festival Kino Beat \u00e9 viabilizado atrav\u00e9s da Lei Rouanet, apresentado pela Petrobras, conta com Patroc\u00ednio da Crown Embalagens. Apoio Internacional do British Council e Instituto Guimar\u00e3es Rosa &#8211; Ano da Cultura Brasil\/Reino Unido. O Festival conta com financiamento do Pr\u00f3-Cultura RS &#8211; Secretaria de Estado da Cultura &#8211; Governo do Estado do RS e Realiza\u00e7\u00e3o Minist\u00e9rio da Cultura &#8211; Governo Federal &#8211; Uni\u00e3o e Reconstru\u00e7\u00e3o.<\/b><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><b>Dona Flor Comunica\u00e7\u00e3o<\/b><\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400;\">Raphaela Donaduce Flores | jornalista<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"font-weight: 400;\">raphaela@donaflorcomunicacao.com.br | 51 999757282<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Principal destaque deste ano \u00e9 a Resid\u00eancia Art\u00edstica Portos Conectados, que promove interc\u00e2mbio de artistas de POA e Liverpool, por meio de parceria com a FACT (Foundation for Art and Creative Technology), institui\u00e7\u00e3o de arte e tecnologia consagrada do Reino Unido<\/p>\n","protected":false},"author":2,"featured_media":15965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[14],"tags":[],"class_list":["post-15964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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